Selecting the Best Wide Format Inkjet Backlit Media
There are many options in today's digital world when selecting the right media for your wide format inkjet backlit application. Understanding your application needs, and the differences between substrates, is key to selecting a backlit media that will make your signage radiant.
One of the main points to understand is the 'visual temperature of a material. The 'visual temperature' can fall anywhere on the spectrum between cool and warm and is determined by the amount of blue (cool) or red (warm) undertone the material has. This is also often referred to as the "white point". 'White point' specifically indicates the level of blue within the film. The bluer, the cooler the white and the "whiter" it looks. The higher the level of red within the film, the warmer and more yellow the film will appear.
When determining the visual temperature, you can look at the color index of a material to see where on the spectrum the media falls. The color index is simply a numerical expression that determines the color of an object. As a printer, you will see this in the graphic files when selecting or adjusting a color. You will see it depicted in a L, a, b format. (see figure 1.1)
"L" stands for the "lightness axis". This indicates the amount of black-white there is within the color. 0 is black, 100 is white and 50 is middle grey.
"a" indicates the red-green scale. The greater the positive number, the higher the red tint, the lower the negative number, the greener the tint. 0 is neutral and perfectly balanced between red and green.
"b" indicates the blue-yellow scale. The greater the positive number, the greater the yellow tint, and the lower the negative number, the greater the blue tint. 0 is a neutral balance between yellow and blue.